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1954 Three Ring Circus
White Christmas

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1955 Artists and Models
Doctor at Sea
Hell's Island
Lucy Gallant
Richard III
Run for Cover
Simon and Laura
Strategic Air Command
The Desperate Hours
The Far Horizons
The Girl Rush
The Rose Tattoo
The Seven Little Foys
The Trouble With Harry
To Catch A Thief
Value For Money
We're No Angels
You're Never Too Young

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1956 Anything Goes
Away All Boats
Battle of the River Plate (Pursuit of the Graf Spee)
High Society
Hollywood or Bust
Pardners
That Certain Feeling
The Big Money
The Birds and the Bees
The Black Tent
The Court Jester
The Iron Petticoat
The Leather Saint
The Man Who Knew Too Much
The Mountain
The Proud and Profane
The Rainmaker
The Scarlet Hour
The Search for Bridey Murphy
The Searchers
The Spanish Gardener
The Ten Commandments
The Vagabond King
Three Violent People
Triple Deception
War and Peace

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1957 An Alligator Named Daisy
Beau James
Doctor at Large
Fear Strikes Out
Funny Face
Gunfight at the O.K. Corral
Hear Me Good
Loving You
Night Ambush
Omar Khayyam
Short Cut to Hell
The Admirable Chrichton
The Buster Keaton Story
The Delicate Delinquent
The Devil's Hairpin
The Joker Is Wild
The Lonely Man
The Pride and the Passion
The Sad Sack
The Tin Star
Wild Is The Wind

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1958 Another Time - Another Place
Dangerous Exile
Desire under the Elms
Hell Drivers
Hot Spell
Houseboat
King Creole
Maracaibo
Rock-a-bye Baby
Spanish Affair
St. Louis Blues
Teacher's Pet
The Buccaneer
The Geisha Boy
The Matchmaker
Vertigo

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1959 But Not For Me
Last Train from Gun Hill
Li'l Abner
North by Northwest
The Black Orchid
The Five Pennies
The Jayhawkers

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1960 It Started in Naples

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1961 One-Eyed Jacks

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1963 My Six Loves

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VistaVision fell into disuse from the mid 1960's thru the mid 1970's. The equipment suddenly became quite valuable as special effects houses began to use the format to create optical effects that could be intercut with live action footage without the usual grain and contrast associated with effects footage. VistaVision remains the system of choice in such shops to date because the 35mm film easily can be processed and printed in-house.

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©1998 The American WideScreen Museum